Uranium Film Festival in Seattle
This is Paul from @nwfilmforum holding up the @uraniumfilm poster so I can tell you one more time to click the link in my profile and get your tickets post-haste. Seven films, April 12-14. Be there. See also: x x x

This is Paul from @nwfilmforum holding up the @uraniumfilm poster so I can tell you one more time to click the link in my profile and get your tickets post-haste. Seven films, April 12-14. Be there. See also: x x x
There’s a Netflix docuseries on 9/11 and its aftermath where a veteran from the war in Afghanistan shares an epiphany he had on a watchtower one night. “It’s the freedom to pretend,” he exclaims, suddenly realizing what “freedom” means in America. “Everyone feels entitled to their fictions.” There’s something about his insight that resonated with me and how I read the representational politics interrogated and poked fun of at “The Freakshow Show,” this year’s BFA show at @cornish_artdept. Much of the work from this year’s cohort seems to be about laying bare such American fictions. We’ve made it a little … Continue reading “Cornish BFA ’24” →
“Nuclear power gambles with disaster; even proponents acknowledge that accidents are inevitable. Smaller reactors would mostly be clustered together to generate more power and offer no more safety than larger ones … Nuclear power is of course far less dangerous to human lives and the environment than fossil fuel power. But this comparison is irrelevant. The proper comparison of nuclear power is not to fossil fuel energy but to renewal alternatives like wind power, solar power, and geothermal power. These are far less risky, dangerous and costly than nuclear power. Hydropower is also a renewable energy technology; however, it has … Continue reading “Seattle’s Nuclear History: TerraPower” →
I remember watching a lecture by Rem Koolhaas on his practice and philosophy that included his work on the Seattle Central Library before ever moving here. There was a part where he showed how a statistical bar graph of some kind (I could look this up) was used very literally as the basis for the multiple volumes of space that make up this strange civic monument. He called OMA’s approach “parametricism,” which became a whole architectural style that “relies on programs, algorithms, and computers to manipulate equations for design purposes.” That word stuck with me. I still use it today … Continue reading “Seattle Central Library” →
There’s a lot of talk right now in astrology circles about stepping into our most future-forward selves with the turning of the plutonic clock towards an age of Aquarius, and the best advice has been to figure out what that means by looking at how far we’ve come. There are certain dates they suggest to help mark these shifts, but I’m less interested in the details of the plot than I am in the overall shape of the story being told: that our tomorrow is forged in yesterday’s fire and quenched today. I had the honor of being invited into … Continue reading “Black History Month” →
I took this on my first ever photowalk today, using the digicam I brought back from Lebanon. I’m glad I brought it along, because it was -9 °C out and I could barely operate my other camera for more than a couple minutes at a time. I very quickly learned that I had the wrong gloves and lenses for staying nimble on a day like today. So, what was I thinking going out on one of the coldest days of the year to cosplay as photographer? I was thinking that I need to start getting out of my own way … Continue reading “Origin Story (Still in Progress)” →
I find it poignant that the shots that barely survived my Holga malfunction were taken just before the awful end to Holga Week, when many of us woke up to news of a new wave of violence in Palestine. I’d been jolted awake for some reason at 2:00 or 3:00 am that Saturday and spent the rest of the morning glued to my phone, scrolling through the news until it was time for morning prayers at the retreat I’d been begrudgingly signed up for — it was one of those work-related things I was technically allowed to say no to … Continue reading “Gaza & Holga Week” →
So very proud of @christine.bingham.art for this piece that wowed everyone and generated so much conversation this weekend at @siderailcollective. Not only is it fascinating to look at, with its layer of resin and glass and scrap metal semi-obscuring a highly detailed underwater seascape — trust me, no photo can do this effect justice — but it also tells a complex story of growing up out here in Seattle. You should come talk to Christine about it at the Halloween party on the 28th. I’ll be there too and might take a photo of the back of your head. See … Continue reading “Christine at Side Rail Collective” →
Last night, I watched the breathtakingly beautiful RICHLAND, a documentary by @komsomol.films on the history and people of Richland, WA, a once secretive town that’s tangled up forever in the afterlife of the atom bomb. I knew I’d be informed but I did not expect to be moved – it’s those “nuclear feelings” that UW professor Shannon Cram brought up in the Q&A that did it. Watch it when you can. I’m currently working with @uraniumfilm to bring this film back in April, but that’s fine, watch it twice – it’s worth it. I’ll have more to say about RICHLAND … Continue reading “RICHLAND” →
“Art and science are parallel paths to truth and understanding.” This is a quote that a Seattle artist I just connected with shared with me. It’s something James Acord said and believed. It’s something I believe in as well. Acord’s faith in the “transmuting” power of art was relentless, giving him the stamina to pursue his life’s work for decades. This is how he became the only private individual in history with a radioactive materials handling license: WN-10407-1, a number he tattooed on the back of his neck. His pursuit cost him dearly, not unlike Will Navidson in Mark Z. … Continue reading “Seattle’s Nuclear History: James Acord” →