LIGHT/SHADOW

The French word for a camera lens is “objectif photographique,” a factoid I learned in a piece from a series of articles & books called “Object Lessons,” which, surprisingly, has yet to publish any histories of cameras. They’ve published a book on the potato, so… But maybe the story’s too big to tell too quickly; that’s probably why the article only touches on how the 50 mm lens came to be the standard for “normal” vision. Anyway, the French word is perfect because, as the author points out, it encodes much of what we tend to think photography is for: “truth and … Continue reading “LIGHT/SHADOW”

LOOK/SEE

There’s an ethics to looking that takes on sharp relief when one begins writing with light. Photography is the craft of capturing emanations from “out there,” and so, with a camera to look through, the predatory urge to survey and ensnare becomes a very real possibility. But to look is not necessarily to see, and there’s an ethics to that moment as well. Viktor Shklovsky writes: “this thing we call art exists in order to restore the sensation of life, in order to make us feel things, in order to make a stone stony. The goal of art is to … Continue reading “LOOK/SEE”

Trip Like I Do—Snoqualmie Falls, June 27

So here we are, back to the start; these iconic falls “where Heaven and Earth meet” were the very first stop on our itinerary, making these some of my very first photographs on the journey. I’d read about this sacred place and wanted to capture a little bit of how indigenous peoples might perceive these waters, these “mists that roll up to Heaven” and “carry our prayers and our hopes and our dreams to the Creator of us all,” in the words of Ernie Barr, Jr. My photos weren’t successful in the way I’d imagined them when I looked through … Continue reading “Trip Like I Do—Snoqualmie Falls, June 27”

SPIN+INTERIOR LOCUTION+DISLOCATION

All my work is informed by my training in media studies. The medium is the message. All text is con-text. As an editor, I approach writing as a strategic site of influence, crisscrossed by discursive fields and loaded with potential counter-valence. Even apolitical work is doing politics. My role is to help you know your impact and maximize the intentionality behind it. This training also helps us think beyond the text. The medium is the message. All text is con-text. Composing is framing. Writing is resonance. This why, in addition to editorial work, I am offering creative services to help … Continue reading “SPIN+INTERIOR LOCUTION+DISLOCATION”

Full Moon in Leo

Today, the moon is full. It’s gliding through an area of the sky that people decided to call “Leo,” a fiery archetype of bold action and expression—AND my ~progressed~ sun sign. What does that mean? TL;DR: while this watery baby may be ruled by the penumbral queendom of La Luna, his destiny, so it seems, is to go forth and make lasting peace with the garish day of Sol. And so, after some arm-twisting and encouragement from fellow travelers around the sun, I take my first steps out from the shadows: I’ve shared a “portfolio” of sorts on @dislocution and want to … Continue reading “Full Moon in Leo”

Resurrecting The Matrix

I’ve seen some grumbling headlines about Matrix 4 and I really couldn’t care less what the fundamental subject/hyperobject of the film itself has to say, but here’s what I feel like sharing today: this is a film for a very particular kind of person. Maybe you were planning to meet up with school friends at the cinema, but no one had a cellphone so they ended up heading there early and seeing something silly like You’ve Got Mail, or whatever it was, so you watched The Matrix by yourself and had your tiny brain blown. Maybe, some years later, in … Continue reading “Resurrecting The Matrix”

INTRODUCING INCONJUNCT

I want to tell you about a little project called @INCONJUNCT. But first, a few words about “inconjunction,” a technical term from astrology that’s neither “conjunction” nor “opposition.” It might not even be anything at all as, indeed, it wasn’t for ancient writers like Ptolemy who called it a “non-relationship.” To understand the concept, you may want to hold in your mind a certain metaphysic of cosmic influence—as above, so below, etc—but even that is not entirely necessary; you may choose to follow the symbolic geometry instead: “Dividing a circle into two parts creates a diameter and two points on a circumference separated … Continue reading “INTRODUCING INCONJUNCT”

Digital Discipleship

I recently enrolled in a class on digital media and Christian discipleship, and the next post I’ll be making will be part of this week’s assignment: “post a picture that reflects your definition of discipleship on your Instagram account.” “Discipleship” isn’t a term I hear used in the churches I go to or the churches I grew up in; I’m more familiar with the “believer” to “follower” spectrum of terms for that general concept of allegiance to Christ. So I had to figure out what’s different about this word before I could define it for myself. Looking up and talking … Continue reading “Digital Discipleship”

Threads To The Naked Eye

The other night, I shared the hyperlink to an interview about a book on ecology. In it, the author gushes about the affect he hopes his work will have on the reader’s way of perceiving the world: “To go and see something like a bunch of gulls swarming, [before you’re like] ‘Oh, they’re just gulls swarming,’ but then realize, ‘Wow, no, directly underneath them there could be thousands of herring.’ I mean, how cool is that? And I just think, wow, I want to be able to see that. I want others to be able to see that and make … Continue reading “Threads To The Naked Eye”

Year Zero: Hypertexture

Shortly after New Year’s Day, as part of a staff meeting check-in on Zoom, I was asked if I had a “word for the coming year.” That question hadn’t occurred to me before they’d asked it, but a word still rushed into view very quickly; after a few had volunteered to share why they’d chosen the words they’d chosen, I pressed unmute and said: “I have a one in mind, but I’m not going to explain it—I’ll just say the word: ‘wholeness’.” The thing is–I’ve been struggling with words for quite some time. What used to come to me like … Continue reading “Year Zero: Hypertexture”