Luigi Ghirri
“I’ve always approached the ‘scene I was looking to represent’ directly, standing squarely in front of my subject to avoid any kind of slants or vanishing points, cuts or leaks.” (Luigi Ghirri: The Complete Essays, 1973-1991) That’s the thing about Luigi Ghirri’s work that struck me instantly when I saw someone sharing his work a few weeks ago; that, followed immediately by an eerie sense of familiarity: ‘I could have taken this very shot.’ This spooky feeling of déjà vu made me want to read what this man had to say, after having started this journey with Sontag, Benjamin, and … Continue reading “Luigi Ghirri” →