Tag: reading

by jad

Montréal: Cohen & Kateri

On our first night in Montreal, we tried to watch a documentary called “Ladies and Gentlemen, Mr. Leonard Cohen,” but we were so tired that we started drifting off a few minutes into it. That was enough time, however, to catch a Leonard Cohen refrain from an old interview from his youth that would play in my head as we huddled under the world’s smallest umbrella in the world’s most terrifying sneak-attack thunderstorm. After asking Cohen what concerns him, and after Cohen laughed and demurred, insisting that he hasn’t the faintest concern, the interviewer pressed the poet to share what … Continue reading “Montréal: Cohen & Kateri” →

by jad

Luigi Ghirri

“I’ve always approached the ‘scene I was looking to represent’ directly, standing squarely in front of my subject to avoid any kind of slants or vanishing points, cuts or leaks.” (Luigi Ghirri: The Complete Essays, 1973-1991) That’s the thing about Luigi Ghirri’s work that struck me instantly when I saw someone sharing his work a few weeks ago; that, followed immediately by an eerie sense of familiarity: ‘I could have taken this very shot.’ This spooky feeling of déjà vu made me want to read what this man had to say, after having started this journey with Sontag, Benjamin, and … Continue reading “Luigi Ghirri” →

by jad

Why is Photography Interesting?

Why is photography interesting? The number of people who might care about what I have to say has almost doubled since I took it on as an intentional practice, so that question might be better posed to the people who took interest, instead. But why *is* photography interesting to me? I have often said that I am an inherently visual communicator, but those of you who have been here from the start know that I picked up the craft as an object of discourse or matter of concern first. Words came before light, in an isomorphism of what Dane Rudhyar … Continue reading “Why is Photography Interesting?” →

by jad

Let The Reader Understand

Over the years journeying with Christ, I’ve found myself returning again and again to the same sort of affect when searching for God: a sense of feeling God’s presence most deeply in the margins and fringes—the uncanny things that reach out and grab ya, as the Halloweentide song goes. My theological reflections have almost become predictable; sooner or later, I’ll be using the word “strange”—and this Advent reflection is no different. What a strange line we have in this already bizarre Gospel telling by Matthew: “let the reader understand.” It’s the only interjection of its kind in the whole New … Continue reading “Let The Reader Understand” →

by jad

Trip Like I Do—Priest Lake, June 29-July 2

The object of our trip was Priest Lake in northern Idaho; it was our destination and where we spent most of our time. I wasn’t exactly looking forward to this part of the journey. In fact, Christine reminds me that my very first reaction to a proposed gathering of sisters at this traditional family summering spot was precisely this: “I am inclined to say no.” Part of my hesitation is due to my relatively urbanized comportment: I am very much the product of my time, preferring the contemplation of natural beauty over my immersion in it. As the author of … Continue reading “Trip Like I Do—Priest Lake, June 29-July 2” →

by jad

Composition #2

Every time I think of Kundera I recall my favorite line from Unbearable Lightness: “In the sunset of dissolution, everything is illuminated by the aura of nostalgia, even the guillotine.” And as I wrote these words, I went back to refresh my memory and was surprised to see that sentence on page 4—page 4!—of the book. Could something so meaningful to me have come so early in the text? Does that make it any more or any less significant? I’m pretty sure the man would say: both. Kundera opens his Unbearable Lightness with a reflection on the concept of “eternal … Continue reading “Composition #2” →

by jad

Consolations

A Pentecost sermon is many things, but you don’t often expect to hear about the fear of heights, let alone the kind of morbid ideation that sometimes accompanies that phobic vertigo: “what if I just flung myself over the edge,” the preacher intimated, illustrating his larger point about the fragility of trust in the self in contrast with the solidity of trusting in God. I suspect that his moment of vulnerability was encouraged by an editor who left a comment in the margin urging him to “tell us something of what you’re afraid of here.” I wonder if he worried … Continue reading “Consolations” →

by jad

47

“Photography has two antithetical ideals: in the first, #photography is about the world and the photographer is a mere observer who counts for little; but in the second, photography is the instrument of intrepid, questing subjectivity and the photographer is all.” (Susan Sontag) X “You can grieve for what you are grateful.” I was out of town when @jacquelineviola’s last installment of the (inconceivable and unbelievably absurd) times landed in my mailbox, so when I opened the carefully wrapped package this morning, I was more than a little surprised to see a sentence that so directly spoke to my mood while away. Wistful, … Continue reading “47” →

by jad

Camera Lacrimosa

Roland Barthes wrote a book about photography called Camera Lucida, a play on “camera obscura,” that ancient primogenitor to Polaroids and Instagrams. In it, he introduces useful terms for reading photographs, like “studium” (the presence of elements that lend themselves to sociocultural or historical analysis) and “punctum” (the features that convey a meaning in an individual without invoking any recognizable symbolic system), anchoring his reflections in (his) subjectivity and emotion. Halfway through the book, however, Barthes seemingly abandons his whole project (or takes it to its logical extreme) and begins to meditate on a single photograph of his own recently-deceased … Continue reading “Camera Lacrimosa” →

by jad

SPIN+INTERIOR LOCUTION+DISLOCATION

All my work is informed by my training in media studies. The medium is the message. All text is con-text. As an editor, I approach writing as a strategic site of influence, crisscrossed by discursive fields and loaded with potential counter-valence. Even apolitical work is doing politics. My role is to help you know your impact and maximize the intentionality behind it. This training also helps us think beyond the text. The medium is the message. All text is con-text. Composing is framing. Writing is resonance. This why, in addition to editorial work, I am offering creative services to help … Continue reading “SPIN+INTERIOR LOCUTION+DISLOCATION” →