Tag: theology

by jad

Nuclear Culture & Photography

“The first bomb, set to go off at a height of some five hundred metres, produced a nuclear flash which lasted one fifteenth-millionth of a second, and whose brightness penetrated every building down to the cellars. It left its imprint on stone walls, changing their apparent colour through the fusion of certain minerals, although protected surfaces remained curiously un-altered. The same was the case with clothing and bodies, where kimono patterns were tattooed on the victims’ flesh. If photography, according to its inventor Nicéphore Niepce, was simply a method of engraving with light, where bodies inscribed their traces by virtue … Continue reading “Nuclear Culture & Photography” →

by jad

“Phooey America”: Nuclear Culture

I’ve been interested in the history of the atom bomb and nuclear technology ever since I read about Hanford in a book on the Columbia River called “The Organic Machine” almost two years ago. This book inspired me to visit the region last summer for my first serious foray into film photography, and soon after, I would fortuitously meet a photographer at the PCNW fair who had published a whole book on that area I had just been to. I was hooked and I kept telling myself I’d visit again. I immersed myself in the history of that godawful decision … Continue reading ““Phooey America”: Nuclear Culture” →

by jad

Montréal: Cohen & Kateri

On our first night in Montreal, we tried to watch a documentary called “Ladies and Gentlemen, Mr. Leonard Cohen,” but we were so tired that we started drifting off a few minutes into it. That was enough time, however, to catch a Leonard Cohen refrain from an old interview from his youth that would play in my head as we huddled under the world’s smallest umbrella in the world’s most terrifying sneak-attack thunderstorm. After asking Cohen what concerns him, and after Cohen laughed and demurred, insisting that he hasn’t the faintest concern, the interviewer pressed the poet to share what … Continue reading “Montréal: Cohen & Kateri” →

by jad

National Camera Day: Смена-Symbol in Everett

So apparently today is #NationalCameraDay, which makes it a great day to share the (unedited) results of my very first roll using the Soviet-era (1972 to be precise) LOMO Smena Symbol. I’ll have lots to say about the camera itself in the next post, but first, a few words about the content itself; I hate feeling like I’ve wasted film, so I try to take meaningful shots whenever I can. But I also had no idea how this fully manual, viewfinder-style camera would perform, or if I’d botch the whole thing up trying to meter for the first time, so I … Continue reading “National Camera Day: Смена-Symbol in Everett” →

by jad

Art Thoughts

Being around artists and in artmaking spaces makes me think about the impulses behind my desires to make, do, and express things in general. I have language to explain it and different vocabularies to define it with, like the stars and their imprint on the soul, or God, the Creator of co-creatives, or class distinction and its many corollary affordances. But all these are just words to make sense (♒︎) of a nagging feeling I don’t actually understand (♋︎). It’s the gnawing dissatisfaction I felt while flipping through craft books as a kid, desiring to make things without knowing why; … Continue reading “Art Thoughts” →

by jad

Is Christianity Worth Saving & Other Frustrating Questions

I spent the day yesterday at a conference asking: “is Christianity worth saving?” All I knew about it was that it featured Brian McLaren, a post-evangelical theologian I’ve admired, & that it would have 3 sessions answering that question in 3 ways: “no,” “yes,” “what now?” I was surprised to find a very non-traditional format for the event. Instead of a panel with a series of talks and Q&As, there was a circle of thinkers & doers from around the city taking turns to ask Brian questions that began with: “I’d be curious to know.” This was a full circle, … Continue reading “Is Christianity Worth Saving & Other Frustrating Questions” →

by jad

Green Lent, Red Pisces

It’s funny “haha” and funny “hmm” to me how often I’ve swung between dogged determination and complete surrender. I am the original member of @baumwerkj’s Order of the Dung Beetle before it had a name, back when @heure_bleue__ initiated me as such. I am also constantly broken open and made a vessel of things I did not choose but became available for. Pisces season seems to come around every year to mark some new striving after a vision; sometimes it turns out to be a mirage, other times it is transfigured into a brighter image of the truth. I used to be embarrassed … Continue reading “Green Lent, Red Pisces” →

by jad

Why is Photography Interesting?

Why is photography interesting? The number of people who might care about what I have to say has almost doubled since I took it on as an intentional practice, so that question might be better posed to the people who took interest, instead. But why *is* photography interesting to me? I have often said that I am an inherently visual communicator, but those of you who have been here from the start know that I picked up the craft as an object of discourse or matter of concern first. Words came before light, in an isomorphism of what Dane Rudhyar … Continue reading “Why is Photography Interesting?” →

by jad

The Harrowing

I’ve been co-convening a little get-together of 20/30-something church types who are into “questioning” and “wrestling” with matters of faith. Yesterday’s topic was empire and power, and someone raised the question of whether Christianity lost its ability to speak back to power after 313, when Constantine made it a state religion. I rambled a response about the paradox and scandal of incarnation – how, in an abstract and philosophical way, things took a turn towards human corruptibility the moment the Word decided to become Flesh (which got a laugh from the room) – and, at some point, I used the … Continue reading “The Harrowing” →

by jad

#AdventWord 2022: Maya

These double exposures are from my very first #filmswap: I shot the roll in Bellingham, then Maya, whose poetry I feature here, shot over it a second time in San Diego. We had a vague idea of what each of us was planning, but every composition you see here and in the next two posts was completely accidental/providential. I love everything about this. I love how our images were taken in two borderlands on the two far ends of this western coast; two liminal spaces mirrored and refracted in our contrasting choices of locations—public and impersonal landmarks in mine, private and intimate spaces … Continue reading “#AdventWord 2022: Maya” →