Tag: writing

by jad

GEO+NAFSIYA: GREENING THE GREY

Another set of photos from Beirut that I found as old attachments is this series I’d apparently taken for the long-defunct outlet “Hibr.me.” It depicts GREEN THE GREY, a “public intervention” in June 2011 meant to celebrate green spaces in a city in desperate need of them, or what @beirutgreenproject‘s co-founder Dima Boulad would later call a “peaceful protest” to coincide with World Environment Day. Patches of grass were laid out in car-centric Sassine Square and we spent the afternoon hanging out. It was as simple as that. It pains me to reflect on just how utterly prosaic the politic instantiated … Continue reading “GEO+NAFSIYA: GREENING THE GREY” →

by jad

Sleepless in Beirut

Google had been bugging me about my cloud storage for a while before I finally clicked the link the other day to hopefully free up some space; a couple of scrolls later, I was punched in the gut with attachments in emails I’d long forgotten about, with files and photos I thought I’d lost forever, including these from a project I worked on with a then-anonymous blogger in 2011. You read that right – an anonymous blogger; this was 2011, after all. More on that later. Thank God for metadata because I simply have no recollection of ever using a … Continue reading “Sleepless in Beirut” →

by jad

Art Thoughts

Being around artists and in artmaking spaces makes me think about the impulses behind my desires to make, do, and express things in general. I have language to explain it and different vocabularies to define it with, like the stars and their imprint on the soul, or God, the Creator of co-creatives, or class distinction and its many corollary affordances. But all these are just words to make sense (♒︎) of a nagging feeling I don’t actually understand (♋︎). It’s the gnawing dissatisfaction I felt while flipping through craft books as a kid, desiring to make things without knowing why; … Continue reading “Art Thoughts” →

by jad

Photo-Elicitation

Taking photos with someone else is an interesting way of looking at things differently. You’ll probably notice the same things, but you may not; you’ll pause to listen in one spot while the other is talking and vice versa; you’ll use these stops to compose or capture, or you may just peer through the viewfinder, too engrossed in the conversation. You’ll probably start off talking about what you’re seeing, but it’s more than likely that you’ll end up somewhere else entirely. Looking back at these, I’m struck by how most are imprinted with a memory of something said or remembered, … Continue reading “Photo-Elicitation” →

by jad

Mother’s Day

“Je ne te quitte pasJe ne reviendrai jamaisJe ne te quitte pasJe ne reviendrai jamaisJe ne te quitte pasJe ne reviendrai jamaisJe ne te quitte pas.” We’ve all seen the posts about words that can’t be translated into English that inevitably include “saudade” in the list – saudade, that Portuguese feeling of “profound nostalgic longing for a beloved yet absent something or someone.” This longing is “often associated with a repressed understanding that one might never encounter the recipient of longing ever again.” But what’s a word for the melancholy that comes with irrepressible presence? Does anyone else ever feel … Continue reading “Mother’s Day” →

by jad

Luigi Ghirri

“I’ve always approached the ‘scene I was looking to represent’ directly, standing squarely in front of my subject to avoid any kind of slants or vanishing points, cuts or leaks.” (Luigi Ghirri: The Complete Essays, 1973-1991) That’s the thing about Luigi Ghirri’s work that struck me instantly when I saw someone sharing his work a few weeks ago; that, followed immediately by an eerie sense of familiarity: ‘I could have taken this very shot.’ This spooky feeling of déjà vu made me want to read what this man had to say, after having started this journey with Sontag, Benjamin, and … Continue reading “Luigi Ghirri” →

by jad

Fragment Fragments

“If the fragment is truly broken (frangere), it cannot, it seems, be thought of in terms of a part (portio), for the part, as part of a whole, would deny that which is broken its broken nature, its different status, by relating it always to the former (whole). The fragment…must be thought of apart from a part, and therefore as wholly distinct from the whole (of which the part is a part) as well.” (Dan Mellamphy, ‘Fragmentality,’ 1998) x “Contemporary poets use all three modes of fragment, sometimes all at once. First, the fragment can illicit a response or echo … Continue reading “Fragment Fragments” →

by jad

Why is Photography Interesting?

Why is photography interesting? The number of people who might care about what I have to say has almost doubled since I took it on as an intentional practice, so that question might be better posed to the people who took interest, instead. But why *is* photography interesting to me? I have often said that I am an inherently visual communicator, but those of you who have been here from the start know that I picked up the craft as an object of discourse or matter of concern first. Words came before light, in an isomorphism of what Dane Rudhyar … Continue reading “Why is Photography Interesting?” →

by jad

Juxtaposed

“I basically just write the same line a million times in slightly different ways to see what clicks.” Someone said that to me the other day and I think it’s a mark of genius. I’m trying to be a lot less precious about the photos I take and post. Still thinking about how I might approach this new hobby more like my approach to writing, but I haven’t figured out what that means yet. Thoughts? x Let’s getjuxtaposed,juxtaposed-Just supposeI juxtaposewith you. (Super Furry Animals – Juxtaposed With U) x “Now why should the cinema follow the forms of theater and … Continue reading “Juxtaposed” →

by jad

#AdventWord 2022: Corinne

Corinne isn’t really on Instagram anymore, but this is how we connected: pouring our little hearts out into this app until we became friends a couple years ago around this time, after a chat about some #AdventWord posts I’d made. Since then, we’ve worked together on a couple of things, including the coolest battle vest you’ve ever seen and that gorgeous set of portraits that David took for @inconjunct. Though I’ve known her primarily as a visual artist, I’m touched and honored to share Corinne’s moving poetry in the next three posts: x WILDERNESS by @cascadiacore Once a wolf swallowed me, andcarried me in … Continue reading “#AdventWord 2022: Corinne” →