Tag: writing

by jad

Fragment Fragments

“If the fragment is truly broken (frangere), it cannot, it seems, be thought of in terms of a part (portio), for the part, as part of a whole, would deny that which is broken its broken nature, its different status, by relating it always to the former (whole). The fragment…must be thought of apart from a part, and therefore as wholly distinct from the whole (of which the part is a part) as well.” (Dan Mellamphy, ‘Fragmentality,’ 1998) x “Contemporary poets use all three modes of fragment, sometimes all at once. First, the fragment can illicit a response or echo … Continue reading “Fragment Fragments” →

by jad

Why is Photography Interesting?

Why is photography interesting? The number of people who might care about what I have to say has almost doubled since I took it on as an intentional practice, so that question might be better posed to the people who took interest, instead. But why *is* photography interesting to me? I have often said that I am an inherently visual communicator, but those of you who have been here from the start know that I picked up the craft as an object of discourse or matter of concern first. Words came before light, in an isomorphism of what Dane Rudhyar … Continue reading “Why is Photography Interesting?” →

by jad

Juxtaposed

“I basically just write the same line a million times in slightly different ways to see what clicks.” Someone said that to me the other day and I think it’s a mark of genius. I’m trying to be a lot less precious about the photos I take and post. Still thinking about how I might approach this new hobby more like my approach to writing, but I haven’t figured out what that means yet. Thoughts? x Let’s getjuxtaposed,juxtaposed-Just supposeI juxtaposewith you. (Super Furry Animals – Juxtaposed With U) x “Now why should the cinema follow the forms of theater and … Continue reading “Juxtaposed” →

by jad

#AdventWord 2022: Corinne

Corinne isn’t really on Instagram anymore, but this is how we connected: pouring our little hearts out into this app until we became friends a couple years ago around this time, after a chat about some #AdventWord posts I’d made. Since then, we’ve worked together on a couple of things, including the coolest battle vest you’ve ever seen and that gorgeous set of portraits that David took for @inconjunct. Though I’ve known her primarily as a visual artist, I’m touched and honored to share Corinne’s moving poetry in the next three posts: x WILDERNESS by @cascadiacore Once a wolf swallowed me, andcarried me in … Continue reading “#AdventWord 2022: Corinne” →

by jad

Let The Reader Understand

Over the years journeying with Christ, I’ve found myself returning again and again to the same sort of affect when searching for God: a sense of feeling God’s presence most deeply in the margins and fringes—the uncanny things that reach out and grab ya, as the Halloweentide song goes. My theological reflections have almost become predictable; sooner or later, I’ll be using the word “strange”—and this Advent reflection is no different. What a strange line we have in this already bizarre Gospel telling by Matthew: “let the reader understand.” It’s the only interjection of its kind in the whole New … Continue reading “Let The Reader Understand” →

by jad

#AdventWord 2022: Christine

// Every year for many years, I took part in an Instagram ritual called #AdventWord, first on an old account, then here—every year except the last, when I just couldn’t; the very idea of ritual exhausted me. // A few weeks ago, I checked in with myself to see if anything had changed. Things had. I wanted to mark the season again, but only if I could do it with others. So that’s what I’ll be doing this year; not every day – just when it feels right. I hope it feels right for you too. // Today’s word is WALK. … Continue reading “#AdventWord 2022: Christine” →

by jad

Blackletter October

[Chorus] I feel them all, great mass of colorFlooded in my bedI feel them all, great mass of colorFlooded in my bed, dissolving into red. [Post-Chorus] (Can I accept I’m real?) x Quid tandem?Privatae res vestraequo statu sunt? x Quid quiden ignis Deust est. x Ager uritururbs obsideturbelli gloria peneshostes est. x Beati qui lavant vestimentasua in sanguine Agniut sit potestas eorum in ligno vitae,et per portas ingrediantur civitatem. x Sed fugit intereafugit inreparabile tempus. Fiat. x Have fun tonight. x Assorted October scenes on expired black and white #kodakadvantix.x x x x x x

by jad

LOOK/SEE

There’s an ethics to looking that takes on sharp relief when one begins writing with light. Photography is the craft of capturing emanations from “out there,” and so, with a camera to look through, the predatory urge to survey and ensnare becomes a very real possibility. But to look is not necessarily to see, and there’s an ethics to that moment as well. Viktor Shklovsky writes: “this thing we call art exists in order to restore the sensation of life, in order to make us feel things, in order to make a stone stony. The goal of art is to … Continue reading “LOOK/SEE” →

by jad

Trip Like I Do—E. Washington Roadscapes

x “I went in search of astral America, not social and cultural America, but the America of the empty, absolute freedom of the freeways, not the deep America of mores and mentalities, but the America of desert speed, of motels and mineral surfaces. I looked for it in the speed of the screenplay, in the indifferent reflex of television, in the film of days and nights projected across an empty space, in the marvelously affectless succession of signs, images, faces, and ritual acts on the road; looked for what was nearest to the nuclear and enucleated universe, a universe which … Continue reading “Trip Like I Do—E. Washington Roadscapes” →

by jad

Composition #2

Every time I think of Kundera I recall my favorite line from Unbearable Lightness: “In the sunset of dissolution, everything is illuminated by the aura of nostalgia, even the guillotine.” And as I wrote these words, I went back to refresh my memory and was surprised to see that sentence on page 4—page 4!—of the book. Could something so meaningful to me have come so early in the text? Does that make it any more or any less significant? I’m pretty sure the man would say: both. Kundera opens his Unbearable Lightness with a reflection on the concept of “eternal … Continue reading “Composition #2” →