“Heritage is never rediscovered; it is only the objects/monuments or the material remains of past socio-cultural dynamics that are rediscovered. The interpretation of these objects creates what is commonly known as Heritage. This creation is carried out through a story-making/storytelling process in which all these ingredients are meticulously positioned according to their differential value and related significance, as Heritage is no more than a value-based construct.” (Assaad Seif, ‘Beirut as a Palimpsest’)
I’m reaching the point of the visit when more of the things that make Lebanon “Lebanon” are beginning to grate on my nerves. This was bound to happen; the ashwaganda of distance can only last so long. And when this happens, only two outcomes are possible: either you get more used to it (“btit3awwad”) or your frustration and alienation grows. I’ve not the mettle. I don’t have the privilege of acceptance. Holy spaces like these are supposed to bring calm to the soul, but the vibe can be a little off, for me.
“Consequently, different components/communities within a city can create their different memories and different pasts according to different interpretations of the past and its materiality. Thus, the city becomes a patchwork of memories cast in stones, a multifaceted heritage reflecting not only the wealth of the city but also the wealth of its created pasts. These pasts most of the time conflict with each other as a reflection of the present conflicts – a Present Past built on biased interpretations of past materiality and the re-inventing of a new Heritage.” (Assaad Seif, ‘Beirut as a Palimpsest’)