Tag: nuclear culture

by jad

Infra-Politics & Photography

The thing about infrastructure is that it never just does what it’s supposedly designed to do. Infrastructure congeals and conceals social interest. It’s “inevitably imbued with biased struggles for social, economic, ecological, and political power to benefit from connecting (more or less) distant times and places” (Graham and Marvin, 2001). In other words, “one person’s infrastructure is another’s difficulty” (Starr, 1999). Highways, dams, and pipelines have always been flashpoints of protest when they displace and disrupt lifeways and communities; they leverage the same logic as that of nuclear “sacrifice zones” – those spectacular feats of dispossession for the national good, … Continue reading “Infra-Politics & Photography” →

by jad

Seattle’s Nuclear History: Satsop

Satsop isn’t actually abandoned, but I like how this Instagram location tag plays on the indeterminacy of this place as both modernist ruin and post-modern investment opportunity. 20 minutes to Aberdeen, 1 hour 30 minutes to Seattle, 1 hour to the Olympic National Forest, 30 minutes to Olympia, 3 hours to Portland – that’s how the Satsop Business Park website sells this enticing real estate. I wonder how those proxemics would read today had this plant actually gone live. x Why choose Satsop? “The Park offers facilities from 5,000 sq. ft to 300,000 sq. ft. In addition, more than 400 … Continue reading “Seattle’s Nuclear History: Satsop” →

by jad

Nuclear History is in the Present Tense

In “By the Bomb’s Early Light,” Paul Boyer writes about the ebbs and flows of nuclear criticism as atomic dreams and radioactive nightmares danced across this nation’s psyche throughout the Cold War. He wrote his book during such a peak and prefaced his second edition with a question about the next peak to come, as the Cold War had been called off by then. In the intervening years, there have been blips of renewed interest, especially around the time of the radioactive catastrophe at Fukushima, but with rising geopolitical tensions and increased climate emergency, it seems like we’re re-entering another … Continue reading “Nuclear History is in the Present Tense” →

by jad

Nuclear Specters

It struck me as morbid irony to read about justifications in diplomatic circles of the current carnage in Gaza that apparently make reference to the atomic bomb. Apparently, these references have shocked the sensibilities of the American interlocuters who leaked those conversations. Apparently, they’d forgotten who unleashed this moral stain on the history of mankind in the first place. A shocking reference point and a mirror to blink back at. We are still living in the long shadow of WWII. These claims of self-preservation; this righteous indignation; these dying and dead — they are a legacy of that monstrous era. … Continue reading “Nuclear Specters” →

by jad

RICHLAND

Last night, I watched the breathtakingly beautiful RICHLAND, a documentary by @komsomol.films on the history and people of Richland, WA, a once secretive town that’s tangled up forever in the afterlife of the atom bomb. I knew I’d be informed but I did not expect to be moved – it’s those “nuclear feelings” that UW professor Shannon Cram brought up in the Q&A that did it. Watch it when you can. I’m currently working with @uraniumfilm to bring this film back in April, but that’s fine, watch it twice – it’s worth it. I’ll have more to say about RICHLAND … Continue reading “RICHLAND” →

by jad

In the Shadow of Hiroshima…

In the shadow of Hiroshima, Günther Anders argued for a renaissance of the imagination over mere perception: “Not only has imagination ceased to live up to production, but feeling has ceased to live up to responsibility. It may still be possible to imagine or to repent the murdering of one fellow man, or even to shoulder responsibility for it; but to picture the liquidation of one hundred thousand fellow men definitely surpasses our power of imagination. The greater the possible effect of our actions, the less are we able to visualize it, to repent of it or to feel responsible … Continue reading “In the Shadow of Hiroshima…” →

by jad

Seattle’s Nuclear History: James Acord

“Art and science are parallel paths to truth and understanding.” This is a quote that a Seattle artist I just connected with shared with me. It’s something James Acord said and believed. It’s something I believe in as well. Acord’s faith in the “transmuting” power of art was relentless, giving him the stamina to pursue his life’s work for decades. This is how he became the only private individual in history with a radioactive materials handling license: WN-10407-1, a number he tattooed on the back of his neck. His pursuit cost him dearly, not unlike Will Navidson in Mark Z. … Continue reading “Seattle’s Nuclear History: James Acord” →

by jad

Seattle’s Nuclear History: UW

Did you know that UW had a nuclear reactor? It’s not there anymore; in fact, the whole nuclear engineering program was shut down in 1992, a few years after the reactor itself was decommissioned. People fought to keep the brutalist building (renamed in the interim as More Hall Annex) that housed it, but after several rounds of litigation, UW was finally allowed to demolish it in 2016. They built the Bill & Melinda Gates Center for Computer Science & Engineering in its place. Architecture fans pushed hard for incorporating elements of the original structure in the new building, but the … Continue reading “Seattle’s Nuclear History: UW” →

by jad

Seattle & Atomic Age Art

Today is the International Day for the Total Elimination of Nuclear Weapons, a good day to share that I’ve been working with the International Uranium Film Festival (@uraniumfilm) to bring the festival to Seattle in April. There are a lot of moving parts, but it’s looking good so far! More soon. This partnership came my way in the midst of several months of reading and research on atomic history and nuclear culture, which is also how I found myself at the UW Special Collections Library yesterday looking at Box 13 of the Fred Moody papers. I read Moody’s “Seattle and … Continue reading “Seattle & Atomic Age Art” →

by jad

“Phooey America”: Nuclear Culture

I’ve been interested in the history of the atom bomb and nuclear technology ever since I read about Hanford in a book on the Columbia River called “The Organic Machine” almost two years ago. This book inspired me to visit the region last summer for my first serious foray into film photography, and soon after, I would fortuitously meet a photographer at the PCNW fair who had published a whole book on that area I had just been to. I was hooked and I kept telling myself I’d visit again. I immersed myself in the history of that godawful decision … Continue reading ““Phooey America”: Nuclear Culture” →