Photography is Strange

Photography is a strange and entitled behavior. It’s a compulsion I enjoy and find obnoxious, not unlike much of my personality; two wolves tearing each other to shreds. I’m especially drawn to and horrified by the prospect of photographing people; no particular people, just p-e-o-p-l-e, like all the bigshot shuttermonkeys out here. If you’ve been following for long enough, you might remember how I marked my official shift from “”reading about photography”” to “”doing photography”” by walking up to three people and asking them to use a remote to take three photos of themselves with my phone. Since then, I’ve … Continue reading “Photography is Strange”

Keffiyeh Day

Yesterday was Nakba Day, and these were taken on Keffiyeh Day, May 11, in Westlake Park, at a rally marking the 76th year of rallies just like this one. The same chants, the same keffiyehs, the same fury in the face of the same injustice. I took these on expired film because these images could have been taken decades ago. I pray that they won’t be taken decades from now. Free Palestine. The rallies are the same, but the passion this year feels different. We’re at a tipping point of some kind. One of the UW student protestors spoke of … Continue reading “Keffiyeh Day”

Empire of Lies

The other morning was like any other one of my mornings these days until I came across a series of garish yellow stickers with two ghoulish words in black: H X M X S R X P E Now, if someone had felt the need to put these up in October, I would have left them alone. If someone had felt the need to put them up in November, I would have left them alone. In December. Probably left them alone. In January. Maybe. I don’t know. But definitely not now. Definitely not after six months of genocidal madness and … Continue reading “Empire of Lies”

The Machine is Broken

“This machine is broken.” You can’t read it, but that’s what the piece of paper says in the third and fourth slides. I took these Polaroids earlier today because I’ve been searching for a means to articulate a melancholy that’s become neck deep; a feeling of fundamental disjunction between how I spend my days and my weeks and what this particular time in history is actively asking of you and me. There’s a break between my life’s work and our common purpose that’s become increasingly impossible to ignore. How are we to look back on our actions today?How am I … Continue reading “The Machine is Broken”

Carnation, WA

Reading about the history of the “Carnation” brand of evaporated milk lends itself to a tortured metaphor for the Seattle liberal worldview: “contented cows give better milk.” Carnation was apparently originally called “Tolt,” a much less florid and alluring name, which is a pretty common pattern out here: Kent was once “Titusville,” Auburn was once “Slaughter” — and, of course, all of it was once known by very different names and tongues. In fact, “Tolt” was the clunky Anglicization of the Lushootseed word “tultxʷ,” which is what the Snoqualmie people called the river here, and they opposed the first time … Continue reading “Carnation, WA”

Cornish BFA ’24

There’s a Netflix docuseries on 9/11 and its aftermath where a veteran from the war in Afghanistan shares an epiphany he had on a watchtower one night. “It’s the freedom to pretend,” he exclaims, suddenly realizing what “freedom” means in America. “Everyone feels entitled to their fictions.” There’s something about his insight that resonated with me and how I read the representational politics interrogated and poked fun of at “The Freakshow Show,” this year’s BFA show at @cornish_artdept. Much of the work from this year’s cohort seems to be about laying bare such American fictions. We’ve made it a little … Continue reading “Cornish BFA ’24”

Ugliness Machine

Imagine there was a tool or system for doing things that increasingly made your output uglier or less intelligent. The more you used it, and the more that others used it, the crappier everything it was used for becomes. Imagine that. Would you still use it? Like a pen that made your handwriting worse and worse, and in some magical way, made everyone’s handwriting worse and worse too. We would throw that pen in the trash, wouldn’t we? But that’s sort of the deal with the social media tools we’re using today. Do we really want to keep making spastic … Continue reading “Ugliness Machine”

Light-Dark

I posted this image on a Sunday in 2013, a couple of days after taking the photo at a Catholic spiritual retreat I was gently compelled to go to by my parents – I wasn’t a fan of the church at the time. The image is taken from a workbook, and I seem to recall that the ocular illustration was meant to convey some theological concept or another — from aleph, the lid, to dal, the pupil — but I don’t remember what. “Contemplate,” it says. I do remember that this retreat was the first time I learned what an … Continue reading “Light-Dark”

Latergram

If you want some insight into what it was like to follow me on Instagram in 2013, when I first joined this app, here’s a little peek. Not much has changed, I guess. February ‎24, ‎2013: The windows overlooking Lena’s terrace, where I tasted oranges in a salad for the first time, thanks to Lena’s Sicilian cooking. I don’t remember what we talked about, but the conversation was probably peppered with names like Deleuze and Trotsky, because it often was. Hanging out with Lena was like stepping into a jittery scene on a 16mm reel. March 21 is Mothers’ Day … Continue reading “Latergram”