Photography is Slow Montage

“Our art is for someone – even if it starts as for just ourselves.” Wise words from @thecryptidofyourheart. There’s something to be said about the symbiotic relationship between urbanism and photography; the two seem inseparable to me, so much so that “street photography” feels like a tautology – it should just be photography, with “studio photography” being the bastard child. That’s why photography and public transport are such a good fit. But I don’t know if I even think photographically, if I’m honest. I know more about Robert Bresson than Henri Cartier-Bresson, and though I’m not much of a cinéaste … Continue reading “Photography is Slow Montage”

Beirut on Harman Phoenix

I really like the violent contrast and saturation that comes out of this Harman Phoenix film. I took these with a Nikon Lite-Touch point and shoot because I wanted to be “lite” on my feet while walking around Beirut, and I think that really added to the raw quality of some of these photos: whatever makes this stock undesirable to professionals (something something dynamic range) makes it perfect for how I wanted to see this city. I loved this Hamra ready-made so much that I photographed it twice; here it is on Harman Phoenix 200, the world’s newest experimental color … Continue reading “Beirut on Harman Phoenix”

Origin Story (Still in Progress)

I took this on my first ever photowalk today, using the digicam I brought back from Lebanon. I’m glad I brought it along, because it was -9 °C out and I could barely operate my other camera for more than a couple minutes at a time. I very quickly learned that I had the wrong gloves and lenses for staying nimble on a day like today. So, what was I thinking going out on one of the coldest days of the year to cosplay as photographer? I was thinking that I need to start getting out of my own way … Continue reading “Origin Story (Still in Progress)”

Must It Be? It Must.

Before heading to Lebanon, I wondered about how it’d feel to see just how much of what I’d known had changed, and Christine wondered back: how will it feel to see how much of what I’d known is still the same? The answer to both those wonderings was “yes.” Yes, a lot has changed, and much of it saddened me, but shockingly a lot had not. Even my old haunts in Mar Mikhael, so badly affected in the blast, still feature familiar sites and names, despite it all. This gladdened my heart. So many had bounced back. And Hamra, more … Continue reading “Must It Be? It Must.”

New Year’s Eve, 2023

There’s been an odd circularity to this year; an ouroboros of inner work that opened and is now closing the year on themes of loving others more deeply by tending more gently to oneself. Lully, lulla,thou little tiny child,by by, lully lullay. That hymn made me weep on the First of January and today, on the Thirty-First of December, the symmetry was not lost on me when I was asked to read these lines from a once-familiar lectern: “Because you are his sons, God sent the Spirit of his Son into our hearts, the Spirit who calls out, “Abba, Father.”” … Continue reading “New Year’s Eve, 2023”

Christine’s Project: Mizyara

Today, I had the privilege of visiting a most unique shrine with the most touching story, a living tribute to not just one saint, but two—Maria Goretti and her unlikely acolyte, Raya Chidiac. It was an honor to be greeted by Raya’s mother, Marie, who has made it her ministry to share St. Goretti’s message of universal forgiveness through the heartbreak of losing her daughter Raya in a cruel parallel across centuries. And when she says “through” Raya, she means it quite literally: it was Raya who came to a stranger in a dream, asking for a shrine to be … Continue reading “Christine’s Project: Mizyara”

Christine’s Project: Beirut

“Beirut, I want to escape you, only to crawl back a few days later and embrace you.” These are a couple of digicam test shots from this morning’s shoot with my sister @staceybkl who so kindly took part in @christine.bingham.art‘s ongoing photo-documentation project of her “saints in the mirror.” Don’t tell anyone that I didn’t bring my Fuji’s charger and was rationing shots on a single bar of battery all day. Oops! Thankfully, we still managed to make it happen thanks to Stacey and Antoun!

Hamra Haunts

We’re spending a couple of nights in one of my old haunts which oddly feels pretty much exactly how I’d left it, despite a lot having changed. There’s a Hamra Express where Dany’s Pub once was, and the patronage seems to have aged by several decades, but that’s about it – the vibes are still classically Hamra. As seen through my Canon PowerShot A710IS, straight out of camera. See also: x

Re-Witnessing Lebanon

I asked @ouroboros.community what the cosmic soup had cooking for me, and this is what she said: “You are closing the calendar year with a gorgeous full moon in your sixth house of day-to-day life, work, and health. Even though the world wants us to make New Year’s resolutions, the transits currently want us to reflect on the past. How far have you come regarding these areas? How much do you feel supported by your community?” x I found my old #CanonPowerShot A710IS while rummaging through boxes at my parent’s place and was pleasantly surprised to see a bunch of … Continue reading “Re-Witnessing Lebanon”

Merry Christmas from Lebanon

Merry Christmas from the land of prophets and profiteers; a country with too many shrines but not enough saints. Merry Christmas from the place that sane people go to lose their minds, according to my grandma. She said I haven’t changed one bit. “”But when will you make your mother a teta?” Merry Christmas from the room Ma Sœur said there’s nothing to photograph. Swipe to see where she took me to take photos instead. Merry Christmas from our abandoned ancestral home. My uncle had big plans for this place my whole life. It still looks exactly the same: like … Continue reading “Merry Christmas from Lebanon”