Tag: philosophy

by jad

Why is Photography Interesting?

Why is photography interesting? The number of people who might care about what I have to say has almost doubled since I took it on as an intentional practice, so that question might be better posed to the people who took interest, instead. But why *is* photography interesting to me? I have often said that I am an inherently visual communicator, but those of you who have been here from the start know that I picked up the craft as an object of discourse or matter of concern first. Words came before light, in an isomorphism of what Dane Rudhyar … Continue reading “Why is Photography Interesting?” →

by jad

Assemblage & Photography

Someone said that the best camera is the one that inspires you to keep using it. This is my #FujifilmXT4 with an old #NikkorLens originally designed for film cameras, with a focus wheel that’s a little loose but is light enough to feel like nothing on this camera body. It’s fun. It’s imprecise. Adapted to this body, it’s completely manual. How does one assemblage inspire what another does not? x This is the same route I take every time I walk to work. Sometimes, things change and I notice them in a #superordinary way, but most of the time, things are exactly the same, and so … Continue reading “Assemblage & Photography” →

by jad

Juxtaposed

“I basically just write the same line a million times in slightly different ways to see what clicks.” Someone said that to me the other day and I think it’s a mark of genius. I’m trying to be a lot less precious about the photos I take and post. Still thinking about how I might approach this new hobby more like my approach to writing, but I haven’t figured out what that means yet. Thoughts? x Let’s getjuxtaposed,juxtaposed-Just supposeI juxtaposewith you. (Super Furry Animals – Juxtaposed With U) x “Now why should the cinema follow the forms of theater and … Continue reading “Juxtaposed” →

by jad

AdventWord 2022—TRAVELER

Today’s #AdventWord is TRAVELER, and for the longest time, I’ve been fixated on a phrase that came to me repurposed from an album title, a phrase that became a kind of philosophy of life in molecular form: “I am traveling with another.” I ran that through a readability analyzer and it apparently corresponds to a 10th/12th grade level, which makes sense, because in many ways it captures a high school senior’s style of overthinking the world. Like an essay about serendipity that compares the concept to looking over the school yard fence and noticing a storybook style house you describe like a … Continue reading “AdventWord 2022—TRAVELER” →

by jad

#AdventWord 2022—Messenger

Today’s #AdventWord was meant to be a collaboration, but it didn’t quite come together that way. And yet, even though someone else picked this word out for me, MESSENGER just happens to be one of my more favored from this year’s list. Charlie Brown wasn’t the first to wonder about the meaning of Christmas. From day dot, the Christ event has been the riddle that somehow turned the key on a cosmic mystery; everyone could sense it, but few had the words to describe what it meant, and we still fumble with the language til now. For me, the meaning of Christmas … Continue reading “#AdventWord 2022—Messenger” →

by jad

September Estrangement Series

Over the next few days, I’ll be sharing an assortment of #analogphotography from recent happenings and wanderings. This set’s from a staff retreat I was on earlier this month, my third time on this former military base. The first slide’s taken with a #Holga135 on #fujifilm200; the second’s almost the same shot taken on my phone. I greatly enjoyed my pre-dawn and early morning walks and felt like I’d completed some kind of cycle by being here, having sat with hesitation at the threshold of belonging the last time I was in this place. I’ve walked across now. I’m there. x The last night of … Continue reading “September Estrangement Series” →

by jad

New Aura of Old

“Aura is a quality integral to an artwork that cannot be communicated through mechanical reproduction techniques – such as #photography. The term was used by Walter Benjamin in his influential 1936 essay The Work of Art in the Age of Mechanical Reproduction. Benjamin argued that ‘even the most perfect reproduction of a work of art is lacking in one element: Its presence in time and space, its unique existence at the place where it happens to be.’ He referred to this unique cultural context i.e. ‘its presence in time and space’ as its ‘aura’.” (TATE / ART TERMS) I’m not sure … Continue reading “New Aura of Old” →

by jad

Neither Art…Nor Nonart

“Artistic production begins with ceremonial objects destined to serve in a cult. One may assume that what mattered was their existence, not their being on view. … Certain statues of gods are accessible only to the priest in the cella; certain Madonnas remain covered nearly all year round; certain sculptures on medieval cathedrals are invisible to the spectator on ground level. … In #photography, exhibition value begins to displace cult value all along the line. But cult value does not give way without resistance. It retires into an ultimate retrenchment: the human countenance. It is no accident that the portrait was … Continue reading “Neither Art…Nor Nonart” →

by jad

LIGHT/SHADOW

The French word for a camera lens is “objectif photographique,” a factoid I learned in a piece from a series of articles & books called “Object Lessons,” which, surprisingly, has yet to publish any histories of cameras. They’ve published a book on the potato, so… But maybe the story’s too big to tell too quickly; that’s probably why the article only touches on how the 50 mm lens came to be the standard for “normal” vision. Anyway, the French word is perfect because, as the author points out, it encodes much of what we tend to think photography is for: “truth and … Continue reading “LIGHT/SHADOW” →

by jad

LOOK/SEE

There’s an ethics to looking that takes on sharp relief when one begins writing with light. Photography is the craft of capturing emanations from “out there,” and so, with a camera to look through, the predatory urge to survey and ensnare becomes a very real possibility. But to look is not necessarily to see, and there’s an ethics to that moment as well. Viktor Shklovsky writes: “this thing we call art exists in order to restore the sensation of life, in order to make us feel things, in order to make a stone stony. The goal of art is to … Continue reading “LOOK/SEE” →